
Director John Landis and wife Deborah Nadoolman attend the party for First Annual MTV Video Music Awards on September 14, 1984 at the Hard Rock Cafe in New York City.
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Director John Landis and wife Deborah Nadoolman attend the party for First Annual MTV Video Music Awards on September 14, 1984 at the Hard Rock Cafe in New York City.
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Will this ever be it?
Yet another “final” send off to Michael Jackson has just been released — the video for the singer’s graceful, posthumous single, “This Is It,” directed by filmmaker Spike Lee.
As you’d expect, it’s a loving scrapbook of Jackson’s life, starting with slow-mo close-ups of his childhood home, before ballooning through his massive, worldwide fame.
Curiously, no sustained shots of his brothers appear, though there’s a lingering one of Jackson with his mother, Katherine.
Lee devoted roughly half the 4-plus minute clip to footage shot since Jackson’s death, with fans caught in mourning and awe, from the Apollo Theater to L.A. and beyond.
In the clip’s most pointed moments, Lee focuses several times on a sign that says “Stop The Hatin’,” referring to the coverage of the controversies in Jackson’s life.
It would be impossible, not to mention censorious, for the media to ignore that aspect of Jackson’s life. But none of that has blotted out the very real love fans hold for the star. Nor has it distracted from Jackson’s key placement in cultural history.
In capturing a nice slice of that, Lee’s video delivers on the warmth it went for.
Article Source: www.nydailynews.com
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“Buzz” Pop’s Cool Love
“Sweet Bird of Truth,” The The (1986)
“Madonna of the Wasps” Robyn Hitchcock and the Egyptians (1989)
“One Long Pair Of Eyes” Robyn Hitchcock and the Egyptians (1989)
“You Don’t Have to Worry,” En Vogue (1990)
“Ring Ring Ring (Ha Ha Hey)” De La Soul (1991)
“Love Conquers All” ABC (1991)
“Wicked As It Seems,” Keith Richards (1992)
“Moira Jane’s Cafe” Definition of Sound (1992)
“Constant Craving,” k.d. lang (1992)
“Free Your Mind,” En Vogue (1992)

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Mark Romanek (born September 18, 1959) is an award-winning American music video director who has also moved into directing theatrical films.
Romanek was born in Chicago, Illinois. He credits seeing Stanley Kubrick’s 2001: A Space Odyssey in 1968, at the age of nine, and again during its rerelease in 1973, with inspiring him to become a film director. Romanek experimented with Super 8 and 16mm film as a teenager while attending New Trier East, a progressive public high school north of Chicago that offered a four-year film production and theory program. At New Trier, Romanek studied under Kevin Dole, a local filmmaker who was already creating a form of music video on his own in the mid 1970′s. Romanek subsequently attended Ithaca College in Ithaca, New York, and graduated from its Roy H. Park School of Communications with a degree in cinema and photography.
After a few years writing screenplays, Romanek decided to focus on music videos and signed on with Satellite Films, a boutique division of Steve Golin’s Propaganda Films. His subsequent work has come to be regarded as among the best of the medium. He has worked with many top-selling recording artists from different genres of popular music, and his videos have been given credit for making stars out of some.
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1989: Madonna – “Cherish”

1990: Janet Jackson – “Love Will Never Do (Without You)” with Antonio Sabato Jr. and Djimon Hounsou

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Herbert Ritts, Jr. enjoyed a comfortable childhood. Born on August 13, 1952 to parents who owned a profitable furniture business in California, Ritts was part of a family who lived in a mansion in Beverly Hills and also had a summer home on fashionable Santa Catalina Island. Young Ritts grew up in glamorous surroundings, with movie stars for neighbors.
Ritts had not decided what profession to pursue, but he certainly was not considering a career in photography, which he had only recently taken up as a hobby. It happened, however, that in 1978 he had his camera with him when he and a friend–the then little-known actor Richard Gere–had to stop at a gas station to repair a flat tire. Among the pictures that Ritts snapped was one of a sweaty Gere clad in jeans and a tank top, his arms languidly stretched over his head, and a cigarette dangling from his mouth. Soon thereafter, when Gere received widespread attention for his role in Paul Schrader’s American Gigolo (1980), Ritts sent his photos to Gere’s publicist. “A few months later she sent me Vogue, Esquire, and Elle. They all used my pictures. I got checks too,” Ritts recalled. Newsweek also ran a photo of Jon Voight that Ritts had managed to take when he made his way onto the set of Franco Zeffirelli’s The Champ (1979).
Ritts had found his calling as a photographer, and his pictures were in demand. Within a few years his photos were gracing the covers of Vanity Fair, Vogue, GQ, Harper’s Bazaar, and Interview. He also did fashion spreads for important designers such as Gianni Versace and Ralph Lauren.
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