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From the category archives:
VIDEO Music Classic
Reminds us of AL B SURE
The YOUTUBERS Say:
people need 2 stop thinking that michael sibilings are trying 2 act like him , but they are not people need to leave michael and his sibilings alone they don’t give a damn what yall saying about them they doing their own thing. I love you Randy.
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DAMN!!he is so sexy
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you can not take shit away from the jackson family they are just a talented family hand’s down…
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FUNKY. FUNKY! love randy jackson’s single. this needs WAY moire views and awards! its AWESOME! u get that deep bass feeling form the late 80′s to the early 90′s
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We’re Almost There” is a 1975 song released as a single by singer Michael Jackson, and which was the first release off his final Motown album, Forever, Michael. The single showcased Jackson’s tenor more prominently than in previous releases the past year.
The song is a soul-type of ballad that sparked a departure from the singer’s previous material which had included bubblegum pop. As Jackson’s voice matured, Motown found it difficult to find material to suit Jackson, who had sung in a higher voice for most of the duration of his Motown (1969-1975) tenure. With the return of the Holland brothers Brian and Edward, Motown had the duo write a collection of songs to fit Jackson’s age.
Performing more modestly, the song eventually peaked at number three on the pop chart while hitting number seven on the R&B chart. This single ended up being one of the last Jackson releases as an active Motown artist though the label would release more Jackson singles until 1984.
The song was later sampled in 2010 by the Wu-Tang Clan for their song “Our Dreams”.
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“Muscles” is a 1982 soul single written and produced by Michael Jackson and performed by American R&B/soul singer Diana Ross.
The single reached number ten on the pop singles chart (holding this position for 6 weeks) and number four on the R&B singles chart upon its release and was the first single from her gold-certified album, Silk Electric.
The song, which was named after Jackson’s pet snake and was written for Ross and her “desire” for a muscle-bound lover, also gave Ross her twelfth and final Grammy nomination for Best Female R&B Vocal Performance.
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